The Woods

Here is my review of Wise Children's debut album, The Woods

The debut album from Chichester based Wise Children presents the accumulative creations of Robin Warren-Adamson. Anyone who has followed Wise Children from the beginning can see the progression of both the musical skill set and creative originality. As an overview the record balances varying influences of folk with pop/electro sounds, all the while encompassing Wise Children’s now infamous haunting tonality and harmonies.

An extensive (13 track) playlist, The Woods demonstrates a portfolio of Wise Children. Perhaps more in line with an artist’s refined scrap book than the story told by an album, the tracks offer a liberating spy hole into the mind and heart of the artist.

The opening track is a magnificent demonstration of both satisfying writing and developed production and provides the perfect prelude. The combination of infectious, tumbling riffs and scenic lyrics leaves the listener mesmerised. The same infection continues with the beautiful sounds of tracks 2 and 3. The darker side of Wise Children antiphonally balances lighter moods with a mystery and complexity. The use of a recorded music box and reverberating solo piano in track 10 really highlights this artist’s delicate vulnerability. Any barrier between writer and listener is broken.

It is worth recognising that this musical diary of Wise Children was recorded in the artist’s bedroom. All instruments and vocals were laid down by Robin and all production undertaken by him. The array of skills presented demonstrates not only the dedication of a student but a unique insight into a solo artist’s quest to find gold and grasp his identity.